Chris Hammerlein
| born 1962 in Cincinnati, Ohio |
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| lives and works in Berlin |
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| 1981-85 |
Boston University, MA |
| 1986 |
Atelier Italia, Ronciglione, Italy |
| 1992 |
Skowhegan School of Painting and Sculpture, New York |
| 2005 |
BA, The New School, New York |
| 2010 |
MFA, University of Cincinnati, Ohio |
| Solo Exhibitions | |
| 2016 | God Is My Only Friend, Sorry we're closed, Brussels |
| 2015 | It's a wonderful world, Sorry we're closed, Brussels |
| 2014 | Hammerfest, Cruise & Callas, Berlin |
| 2013 | Sculpture, Cruise & Callas, Berlin |
| 2008 |
Derek Eller Gallery, NY |
| 2007 |
Arena México, Arte Contemporáneo, Guadalajara, Jalisco, Mexico |
| 2006 |
Derek Eller Gallery, NY |
| Kantor/Feuer Gallery, Los Angeles, CA |
|
| 2005 |
Derek Eller Gallery, NY |
| 2002 | Derek Eller Gallery, NY (project room) |
| 2001 | Derek Eller Gallery, NY |
| 2000 |
Hammer of the Gods, Universidad De Guadalajara, Jalisco, Mexico |
| Derek Eller Gallery, NY |
|
| 1996 |
Dan Bernier Gallery, Los Angeles, CA |
| 1995 |
Skin and Bones, Amanda Obering Contemporary Art, Los Angeles, CA |
| 1994 |
Dumb, Amanda Obering Contemporary Art, Los Angeles, CA |
| 1993 |
Failure, Amanda Obering Contemporary Art, Los Angeles, CA |
| Selected Group Exhibitions | |
| 2016 | Only Lovers, Le Coeur, Paris |
| 2015 |
Outline. Soused. Artists of the Gallery, Cruise & Callas, Berlin |
| N G O R O N G O R O, Artist Weekend, Berlin | |
| Mai im Januar, Schau fenster, Berlin | |
| 2012 | Beasts of Revelation, DCMoore Gallery, New York, NY |
| 2008 | How To Cook A Wolf: Part One, Dinter Fine Art, New York, NY |
| Summer Group Exhibition, Derek Eller Gallery, New York, NY | |
| 2007 | NeoIntegrity, curated by Keith Mayerson, Derek Ellery Gallery, New York, NY |
| Tease, Mireille Mosler Ltd., New York, NY | |
| Don't Look, The Davis Museum and Cultural Center, Wellesley College, Wellesley, MA | |
| Hard Times, Jeff Bailey Gallery, New York, NY | |
| 2006 | Tranformer, curated by Jovi Schnell, Donna Beam Fine Art Gallery, University of Nevada, Las Vegas |
| Summer Group Exhibition, Derek Eller Gallery, New York, NY | |
| Twice Drawn, The Tang Teaching Museum and Art Gallery, Saratoga Springs, NY | |
| Drawing III, g-module, Paris, France | |
| Inaugural Group Exhibition, Derek Eller Gallery, New York, NY | |
|
2005 |
Looking at Words: The Formal Presence Text in Modern and Contemporary Works on Paper, Andrea Rosen Gallery, New York, NY |
| The General's Jamboree/2nd Annual Watercolor Exhibition, Guild & Greyshkul, New York, NY | |
| Viviseccion. Dibujo contemporaneo, Museo de Arte Carrillo Gil, Mexico | |
| 2004 | Termite Art Against White Elephant: Present Behaviour in Drawing, Fundacion ICO, Madrid, Spain |
| 2003 | Brooklyn Bounce & The Cootie Catcher, The Beaker Gallery, Tampa, FL |
| The Company We Keep, Inman Gallery, Houston, TX | |
| Zounds, Hyde Park Art Center, Chicago, IL | |
| 2002 | Pop Patriotism, Momenta, Brooklyn, NY |
| The Empire Strikes Back, ATM Gallery, New York, NY | |
| 2001 | Three Project Rooms, In Arco, Torino, Italy |
| 2000 | Il Contratto del Disegnatore, In Arco, Torino, Italy |
| Greater New York, P.S.1, New York, NY | |
| Hairy Forearm II, Feature, Inc., New York, NY | |
| 1999 | Group Show, Feature, Inc., New York, NY |
| Would Have Had, Cabinet Gallery, London, UK | |
| Jason Fox and Chris Hammerlein, Feature, Inc., New York, NY | |
| Chris Hammerlein, Daniel Heimbinder, Kinke Kooi, M du B, F, H&G Gallery, Montreal | |
| 1998 | YOYOGAGA, Feature, Inc., New York, NY |
| 1997 | Group Show, Nolan/Eckman Gallery, New York, NY |
| 1996 | Mirror Enough, Nolan/Eckman Gallery, New York, NY |
| 1995 | Spring Selections, Drawing Center, New York, NY |
| 1994 | Toys/Art/Us, Castel Gallery, New Rochelle |
| Mondo Lot, Robert Berman Gallery, Los Angeles, CA | |
| 1993 | Trance Sex, Amanda Obering Contemporary Art, Los Angeles, CA |